A hand turned upward holds only a single, transparent question.
Unanswerable, humming like bees, it rises, swarms, departs.
–from Jane Hirschefield’s poem, “A Hand”
A hand turned upward holds only a single, transparent question.
Unanswerable, humming like bees, it rises, swarms, departs.
–from Jane Hirschefield’s poem, “A Hand”
I found this small, leather-bound SwedishPsalmbok in a used bookstore in Ventura, CA. In addition to how lovely it feels in the hand, its leather softened by the hands of another, its delicate weight, the fact that it is written in Swedish was intriguing. How had that book made a journey from Sweden to southern California? Moreover, who is Kris Lind, whose name is embossed in gold on the bottom right corner of the front cover, and how did he or she end up in California? Did his or her effects end up in this bookstore after a death, both book and man to be remembered no more (a line at the edge of the page reads, “Och han minnes den ej mer…” meaning, “And he remembered it no more……”)? Although I can’t read Swedish, I recognized the language on the page as some of my ancestors emigrated from Sweden to live in the northeast region of the U.S., where my maternal grandfather, Bernard Oscar Sandquist, was born. Growing up, I was told I was named for his mother.
Kris Lind may not be related to me in any way, but his or her Psalmbok now lives with me, no longer stripped from memory.
Vila väl, Kris Lind. Inte alla är glömt.
Most of the time, I work in black and white. For me, color can be a distraction and with black and white, a subject is reduced to its essence, to its light and shadows. This subject, however, demanded to be seen in all its resplended hues. Yesterday, this dragonfly landed on a leaf of our bird of paradise outside a living room window. He stayed there, clinging to its perch as the wind swayed the leaf back and forth in the strong afternoon light. During lulls in the breeze, I reached for my telephoto lens and took some shots. With the dark background, this already brilliantly colored being seemed to pop off the screen. The color feels extravagant, almost painful, even after I reduced some of the saturation. There’s an impulse to shade my eyes against this radiant red. Still, what a glittering, beautiful jewel…..
Today, I transformed this being into black and white. It’s not the same image, but something more delicate and surprisingly ethereal. For me, there is something about black and white images (barring extremely high key processing) that provides respite for the eye from the daily bombardment of a rioting world of color.